Amanda Manesis the School of the Art Institute of Chicago
About
Based in Dakar, Senegal, RAW Académie is a residential program for the research and study of artistic and curatorial practice and thought that is rooted in the question: "How practise nosotros acquire from each other?" For the 9th session of its Académie, RAW will relocate its staff and arrangement to Philadelphia in an experiment in institutional exchange, culling pedagogy, and hospitality. The session, Infrastructure, is directed past artist, curator, activist, and filmmaker Linda Goode Bryant.
Over the course of 7 weeks, Goode Bryant volition work to reimagine the possibilities for an alternative arts infrastructure with an interdisciplinary roster of visiting faculty—including Gudskul, Arthur Jafa, Louis Massiah, Bonaventure Soh Bejeng Ndikung, Bryant Wells, and Sarah Workneh— and a grouping of international fellows—Rehema Chachage, Ibrahim Cissé, Dale Lawrence, Baptiste Manet, Moad Musbahi, Matthias Mushinski, Dani Kyengo O'Neill, Ana Garzón Sabogal, Aziz Sohail, Sanaz Sohrabi, and Chantal Vorobei Thieves. The session's investigations will be explored over time in the ICA galleries and volition be shared through a serial of public-facing events and deportment. Visitors will be invited to follow along, engage in dialogue, and share their own needs, desires and ideas for how to create new models for the arts.
Linda Goode Bryant writes:
"For centuries, the infrastructure that props up today'due south global production and market for art has been based on a business organization model that adheres to the primal principles and values of material gain and worth. Despite changes in the ways cultures and fine art take evolved during that same period, this infrastructure has essentially remained the same. What if a unlike blazon of infrastructure were to be envisioned?
Using the public fine art museum as both a bespeak of connection and departure from fine art'southward current infrastructure, and situated at ICA, Session 9 fellows will appoint with and begin to answer these questions as they envision and conceive of an infrastructure that supports and expands the level and caste to which artists pursue a perpetual need to create and create anew. A structure that diversifies the ways and means for making artists more cocky-sufficient in coming together their living and creative needs, drawing on knowledge born from the artists and their works themselves. An infrastructure that can exist as creative hubs within local communities and that expands ongoing access and straight engagement with art as a natural, daily part of life."
The institutional collaboration with RAW grew out of the ICA initiative I is for Institute (2016-present), which examines the perceptions and parameters of contemporary arts organizations as a way to create a infinite for dialogue nearly how we might reimagine them. To date the project has unfolded through a series of exhibition exchanges, a podcast, and over 50 conversations with curators and directors reflecting on their piece of work within their specific institutional and local contexts. The conversations are archived online at iisforinstitute.icaphila.org.
Public Programs
Over the course of RAW Académie at ICA: Infrastructure'south seven weeks, Creative Director Linda Goode Bryant volition piece of work to reimagine the possibilities for an alternative arts infrastructure with an interdisciplinary roster of visiting faculty—including Gudskul, Arthur Jafa, Louis Massiah, Bryant Wells, and Sarah Workneh.
The session's investigations will be explored over time in the ICA galleries and volition be shared through a series of public-facing events viewable hither.
RAW Prompts
Engage in the ongoing dialogue and share your ideas with us–let us know why fine art is essential to you, as well as your thoughts on possible alternatives for art infrastructures and on the shapes that ascertain the spaces in which we alive and piece of work.
Back up
ICA gratefully acknowledges support from the Katherine (CW'69) and Keith L. Sachs (W'67) Guest Curator Program. RAW Académie at ICA: Infrastructure, directed by Linda Goode Bryant is supported in office by the National Endowment for the Arts. Additional support is provided by Toby Devan Lewis. Programming support is provided past the Sachs Contemporary Art Fund and the Dolfinger-McMahon Foundation. Additional support has been provided by Linda & Jeffrey Chodorow, Stacey & Benjamin Frost, Marjorie & Michael Levine, Toby Devan Lewis, Christina Weiss Lurie, B.Z. and Michael Schwartz, Lori & John Reinsberg, Dorothy & Stephen Weber, and Susan J. Weiler.
Source: https://icaphila.org/exhibitions/raw-academie-session-9-infrastructure/
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